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Thoughts about the relationships between transport and the urban area it serves

Archive for the ‘Art’ Category

Vancouver Mural Fest – part four

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Looking at the photos posted by others, it dawned on me that the map was if not unreliable perhaps a work in progress. So I set out again to cover the gaps.

In the mosaic click on any image for a larger version

And, once again, a number of murals were incapable of being captured into one shot so I have been doing some stitching again. These images are all on the flickr album and the Mural Festival site is also being updated with much more information, some of which I have copied here and to flickr.

Click on the image to be taken to the flickr page to get a much larger version

DAVID SHILLINGLAW - "We Are Croutons Floating in Cosmic Soup"

DAVID SHILLINGLAW – “We Are Croutons Floating in Cosmic Soup”

Artist Statement: The mural explores aspects if the human experience. Signs and symbols, patterns and forms that attempt to communicate a universal language. Inspired by board games and hieroglyphics, my mural works create a visual space to visually negotiate, a collection of separate parts that connect and can be read in multiple directions. The content is full on bold colour forms, a collision of shapes, some recognisable, some more ambiguous.

Kids at Heart

This one is not actually part of the festival: it was painted by Kids at Heart and is at the Beaumont Gallery

JENNY RITTER - Community Mural left
Community Mural - right

Two halves of the Community Mural

This mural is an exploration of water, as illustrated by artists and musican Jenny Ritter. Imagery includes, swimming, boats, creatures etc. Using a monochrome palette of blues, members of the community painted the mural using a paint by numbers technique.

Trees Burn While Flowers Bloom
TYLER KEETON ROBBINS – “Trees Burn While Flowers Bloom”

“Artist Statement: Look closely at the brush strokes – you will see trees, flames, smoke, yet blossoms. This mural is based off a painting depicting British Columbia’s natural ecology, how it is currently being impacted and in turn how nature and we as a community overcome.”

Carson Ting "Ride Wild"
Carson Ting “Ride Wild”

In this piece, we depict to arms reaching from both ends of the mural. In the middle, we have two stationary vehicles waiting at the light. On the left, we see a large arm and hand holding a wheel entering the scene to help fix a broken black car. The left black car has opened up like a Russian doll to reveal a rabbit character sitting on a bicycle. In a similar fashion, the right side depicts a yellow car held by a giant hand. The yellow car also reveals a rabbit sitting on a bicycle inside. The concept behind this mural is based on a fun portrayal the modern commuter’s psyche in Vancouver. We are often faced with the dilemma of whether we should drive or cycle to our destination, but deep down we are often caught longing to be riding freely on our bicycles. This piece will hopefully help remind us to break out of our reliance on cars and ride our bicycles as free as wild rabbits. This mural is generously supported by Native Shoes.

Written by Stephen Rees

August 21, 2017 at 3:53 pm

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Vancouver Mural Festival part 3

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The last two sites are remote from the others, in the industrial port area around the Cordova diversion.

Some of the murals are so large and difficult to get into one shot, so for these I have made large stitched panoramas that are hosted on my flickr photostream

Bicicleta Sem Frio

Tristesse Seliger "Infinite Line"

Stace Forand "Tiny Flora"

Stace Forand “Tiny Flora”
Stace Forand tattoos at the Steveston Tattoo Company, with a focus on contemporary Japanese art.

Destroy All Machines

More information

Written by Stephen Rees

August 15, 2017 at 8:48 pm

Vancouver Mural Festival part 2

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The northern end of Main Street at Industrial Avenue plus the Red Truck Brewery. There are seven more murals at Makerlabs, 780 East Cordova which are now covered in part 3. I have also now made up for missing half of the murals at Belvedere Court which is the large bottom image in the mosaic as well as the featured image (The Present).

Written by Stephen Rees

August 14, 2017 at 3:45 pm

Vancouver Mural Festival

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The festival ran from August 7 to 12 but, of course, the murals themselves will last a lot longer than that. Thinking to avoid the crowds, I went out the day after the festival events were over, but there were still plenty of people out taking pictures. Other blogs are already ahead of me with their postings and so far I have only covered those near Main Street from 14th to 4th. There’s a lot more to come but to get a taste of what else is out there see Ken Ohrn’s series on Price Tags. His pictures show many of the murals being created.

Click on the image in the gallery to see the larger version
Check out the festival’s page for artist details and so on – I have added a copy of their map at the bottom of this post.

 

Some of the murals were much bigger than I could get into one shot so there are some much larger, stitched panorama images on my flickr stream

VMF 2016 GODZILYA

Actually from the 2016 Festival but one of my personal favourites

Native Education College

Native Education Centre

Hoot Suite

And only in that last one was I unable to get a clear shot without people. I do not understand why so many were getting themselves photographed in front of the murals. This last one is on the Hoot Suite building.

Vancouver Mural Festival Map

Vancouver Mural Festival Map

There are now three further posts that cover the murals not shown in this one. There is also a flickr album of all of these pictures, which are downloadable at their original size and covered by a Creative Commons license.

Written by Stephen Rees

August 13, 2017 at 5:13 pm

WPC: Collage (part two)

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Yesterday I posted a collage of Trastevere in Rome. I mentioned that we had found the Villa Farnesina closed – so we had to go back. These are some of the pictures I took of the famous frescoes in the villa. Warning to those who may be in a highly puritanical workplace – some of these images may not be safe for work.

Posted as a second response to the Weekly Photo Challenge

 

Written by Stephen Rees

July 13, 2017 at 10:39 am

Monet’s Garden

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A new exhibit opens at the Vancouver Art Gallery today entitled “Monet’s Secret Garden” – here’s the Courier’s review. The first thought that crossed my mind was that there is not much secret about his garden. It’s in Giverny, Normandy and is about 45 minutes on the train from Paris, and is one of the most popular of the sites we visited back in 2012. Both the house and garden are open to the public and even in May it was crowded. Even so, very much worth the time. We also saw his paintings at the Marmottan and in the huge galleries off the Tuileries. I did put up a small album of some of my favorite shots on flickr, but I thought that this would be a good excuse to publish some of the others.

 

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June 24, 2017 at 1:28 pm

Posted in Art, photography

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Evil: A Matter of Intent

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The material below the line was sent to me by a pr firm working for a gallery in Florida. When I pointed out my location and the somewhat limited coverage of this blog they replied “Our experience over the years has guided us to cast a wider net due to the fact that South Beach and Miami attract so many millions of visitors from all over the world.”

So I have cut and pasted this material from the press release. It seems to me to be worthwhile in its own right, and worth drawing attention to even if it does not generate much tourist traffic.



Evil: A Matter of Intent features the work of over thirty contemporary and modern artists addressing the many faces of inhumanity. This pertinent group show features artists hailing from around the world with diverse backgrounds, including Helene Aylon, Judith Glickman Lauder, Grace Graupe-Pillard, William Sharp, Tamar Hirschl, John Lawson, Paul Margolis, Mark Podwal, Trix Rosen, and Arthur Szyk.

Presented in Miami Beach by the Jewish Museum of Florida-FIU, the exhibition is on view through October 1. The museum is located at 301 Washington Avenue in the heart of South Beach’s Art Deco District, and is part of Florida International University.

As the title reminds us during these precarious times, acts of evil are premeditated and intentional, motivated by selfishness and the desire to gain at the expense of others. On loan from the Hebrew Union College Jewish Institute of Religion in New York, this exhibition was curated by Laura Kruger and features more than seventy artworks that span from 1940 to the present, including mixed media paintings, works on paper, photography and sculptural works.

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Sin Street, 2013 by Trix Rosen (photograph of performance artist Fred Keonig).

This photo has its roots in the shadows and violence depicted on pulp fiction book covers and film noir movie posters. At the core of these stories is an edgy morality tale, with temptation dripping from the lurid images and titles. “Bad Girl” characters live in a place and time where good is not always rewarded – nor is evil inevitably punished.

Watch the new video about Evil: A Matter of Intent

 

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Thou Shalt Not Stand Idly By, by Ben Shahn, 1965 (lithograph).

Holocaust survivor Elie Wiesel once asserted that the entire ethical teachings of the Hebrew Bible could be condensed into one sentence: an excerpt from Leviticus 19:16, “Thou shalt not stand idly by while your neighbor’s blood is shed.” Shahn illustrated this admonition by depicting a white hand reaching out to raise a black hand.
“Evil is not a cosmic accident, it does not just happen,” said the New York-based curator of the original version of this traveling exhibition, Laura Kruger. “Evil is a deliberate action or inaction. Evil is the violation of our common humanity.” The work of these artists shows how evil manifests in many forms including genocide, torture, slavery and fear of “the other.” The on-site design of the Miami version of this exhibition was created by Jacqueline Goldstein, the curator at the Jewish Museum of Florida-FIU.

The artists in Evil: A Matter of Intent demonstrate how evil is reinforced by indifference, bullying, cruelty and denial. Terrorist acts, murder, rape, destruction of culture and knowledge, pogroms, obliteration of cultural heritage, child abuse, poisoning of the earth and water, and murder are rampant and unceasing.

 

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KKK Rally, Florida (circa 1950s)

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Hiroshima, A Child’s Shirt, 2005, by Leonard Meiselman (oil on canvas).

A child’s shirt, intact but browned from the flames that engulfed Hiroshima when the atom bomb dropped, challenges us to reflect on the painful reminders resulting from war and its related necessary evils. Inspired by the Peace Museum in Japan’s display of such frayed, burned children’s shirts, this has become a life subject for Meiselman.

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Child’s Drawing of Darfur, 2009.

Bakhid was eight years old when he saw his village in Darfur being attacked and burned by Janjaweed forces on horseback and Sudanese forces in vehicles and tanks. In 2007, the organization Waging Peace traveled to refugee camps in Eastern Chad, where survivors from the “ethnic cleansing” of non-Arab, black Africans now live. The genocide of Darfur, a region in the west of Sudan, was perpetrated by the Sudanese government and Arab militias since 2003. They committed horrific crimes such as burning and bombing entire villages and gunning down families. The organization asked the children in the camps to draw memories of the vicious attacks. The International Criminal Court accepted these drawings as evidence of the crimes committed by the Sudanese government. One young artist named Aisha said: “It is very kind to send us food, but this is Africa and we are used to being hungry. What I ask is that you please take the guns away from the people who are killing us.” Courtesy of the BBC and Ryot

These are artists who refuse to remain silent despite forces of intimidation or popular beliefs

Their voices and visions are direct and distinct, forever asking the viewer what he or she would do if placed in similar situations depicted in these works of art.

Grace Graupe-Pillard’s work was featured in the recent exhibition at New York’s Cheim & Reid Gallery (The Female Gaze: Women Look at Men), and has also shown at the Aldrich Museum, the National Academy Museum and the Bass Museum.

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Boy with a Gun: Saturday Night Special, 1992, and Boy with a Gun: Homeless Man, 1987, by Grace Graupe-Pillard (pastel, cut-out canvas).

The artist’s powerful works call attention to the urgent need for gun control laws. In her series, Boy with a Gun (1987-1992), she suggests that a child’s game can become adult gun violence. What will it take to thwart the gun industry and stop the killing?

Their voices and visions are direct and distinct

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Installation image – Boy with a Gun: Homeless Man, 1992, by Grace Graupe-Pillard.

Mark Podwal is well known for his drawings in the New York Time’s op-ed page. His work has been engraved on a Congressional Gold Medal, and is also featured in a series of decorative plates at the Metropolitan Museum.

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There Arose a New King Who Knew Not Joseph, by David Wander, 2014 (mixed media).

Evoking the biblical passage from Exodus 1:8, Wander ponders the repetition of history. He contrasts the collapse of the 20th-century golden age of German-Jewish culture with the enslavement of the Israelites in antiquity. As governments and political powers shift, ranging from benign and supportive to deadly, they impact the entire status of the population.

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Suffer the Little Children, by William Sharp, 1940 (etching).

As a soldier during World War I, Sharp witnessed war’s devastating impact on young children. This etching depicts young children, with the weary faces of old men, who were orphaned, forced to grovel, beg, and live by their wits on the open streets.

Helene Aylon’s career includes her Process Art in the 1970’s, anti-nuclear Art in the 80’s and her later G-D Project that spanned two decades. Her work can be found in collections around the world including the San Francisco Museum of Modern Art, New York’s Museum of Modern Art (MOMA) and Whitney Museum and the Victoria and Albert Museum in London. In the mid-sixties, she painted her iconic 16-foot mural for the synagogue library at JFK airport. View the exhibition catalogue at this link.

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First They Came for ….., by Linda Soberman, 2014 (lithoprint).

Soberman comments on the complicit indifference of those bystanders who witnessed evil during the Holocaust. The image of the “winking” woman whose face is covered by the quotation by Martin Niemoller, a prominent Protestant pastor and outspoken critic of Adolf Hitler, who spent seven years of Nazi rule in concentration camps.

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Gallery image – installation of Exodus II, by Tamar Hirschl, 2005 (mixed media on vinyl).

This large work, with the map of France as the background, depicts the Nazis’ conquering of both land and people in their insidious march across Europe and North Africa. Hirschl builds on memories of her childhood during the Holocaust to highlight the misery and destruction that accompany imperialistic and genocidal ventures. Her work comments on the evil that continues to divide and destroy human connections.
“This exhibition is timely and powerful,” says Susan Gladstone, the Director of the Jewish Museum of Florida-FIU. “These artists tackle issues we are all confronting right now, at this juncture in history.They bring evil to light from a multitude of shadowy angles, capturing historical events and expressing outrage. They leave us, the viewers, to our own responses – and possibly to our own personal calls to action,” adds Susan Gladstone.

The artists in this exhibition are:
Andi Arnowitz · Helene Aylon · Debra Band · Riva Bell · · Rosalyn A. Engelman · Larry S. Frankel · Grace Graupe-Pillard · Barbara Green · Debbie Teicholz Guedalia · Carol Hamoy · Tamar Hirschl · Elizabeth Langer · Judith Glickman Lauder · John Lawson · Margalit Manor · Elizabeth Langer · Ruben Malayn · Paul Margolis · Richard McBee · Leonard Meiselman · David Newman ·Jacqueline Nicholls · Hedy Pagremanski · Mark Podwal · Faith Ringold · Trix Rosen · Marilyn R. Rosenberg · Ben Shahn · William Sharp · Linda Soberman · Arthur Szyk · David Wander · Grace Bakst Wapner · Paul Weissman.

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Detail – Yesterday’s Children, by Paul Weissman, 2015 (inked woodcut, lockets, photos and resin).

A tour de force of printmaking techniques underlays a collage of baby pictures. These seemingly innocent children, on closer inspection, turn out to be photos of Adolf Hitler, Mao Zedong, Kim Jong-il, Saddam Hussein, and Joseph Stalin. The backdrop woodcut depicts the chaos of destruction they caused. Are genocidal maniacs born or bred, is it nature or nurture that is to blame?

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Detail – Yesterday’s Children, by Paul Weissman.

Are genocidal maniacs born or bred, is it nature or nurture that is to blame?

Written by Stephen Rees

May 25, 2017 at 11:12 am